" In Phyllis Chen’s Beneath a Trace of Vapor, the relationship between Eric Lamb’s live flute and the many pre-recorded flutes (which were heavily filtered and distorted) felt downright ghostly, like a haunted forest on some alien world." Chamber Musician Today, October 2011
"Lamb’s arsenal of breath effects and warped glissandi were truly spectacular..." Live Review. Consequence of Sound, October 2011
“spontaneity and sharp-wittedeness” – New York Times, April 2010
“played with panache…” New York Times, May 2009
"Flutists Claire Chase and Eric Lamb were on spectacular display in Loops for Flute, the opening piece. Chase and Lamb performed fiendishly difficult ascending, twirling … loopy lines in tight intervals, in perfect unison; several passages evoked giant gusts of wind picking up leaves that then twirled in the air." - Jennifer Melick. Sunday Arts Blog
"The enthrallingly beautiful latter piece was given a spellbinding performance by ICE, the players, notably flutist Eric Lamb, producing exquisitely shaped tones which were then processed to the point of shattering via electronic means. The dazzling, unearthly colors are balanced by enough silence to make the anticipation of each succeeding event both suspenseful and soothing." - November 2009 - The Big City
"Lamb’s arsenal of breath effects and warped glissandi were truly spectacular..." Live Review. Consequence of Sound, October 2011
“spontaneity and sharp-wittedeness” – New York Times, April 2010
“played with panache…” New York Times, May 2009
"Flutists Claire Chase and Eric Lamb were on spectacular display in Loops for Flute, the opening piece. Chase and Lamb performed fiendishly difficult ascending, twirling … loopy lines in tight intervals, in perfect unison; several passages evoked giant gusts of wind picking up leaves that then twirled in the air." - Jennifer Melick. Sunday Arts Blog
"The enthrallingly beautiful latter piece was given a spellbinding performance by ICE, the players, notably flutist Eric Lamb, producing exquisitely shaped tones which were then processed to the point of shattering via electronic means. The dazzling, unearthly colors are balanced by enough silence to make the anticipation of each succeeding event both suspenseful and soothing." - November 2009 - The Big City
